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  4. JAZZ . PHOTO BENGT H MALMQVIST : KAI WINDING & J J JOHNSON . c 1955 . ARGENTIQUE

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JAZZ . PHOTO BENGT H MALMQVIST : KAI WINDING & J J JOHNSON . c 1955 . ARGENTIQUE

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Vendeur: lamargeconfidente ✉️ (2.670) 100%, Lieu où se trouve: Toulouse, FR, Lieu de livraison: WORLDWIDE, Numéro de l'objet: 283837306073 JAZZ . PHOTO BENGT H MALMQVIST : KAI WINDING & J J JOHNSON . c 1955 . ARGENTIQUE. Kai Winding & J J Johnson par Bengt H. Malmqvist Très rare et superbe tirage argentique noir et blanc sur papier baryté Circa 1950 Format : 305  x 350 mm Tirage original, tamponné au dos Marques d'usage, frottements, empreintes, piqûres, froncements en bords de tirage. Renseignements et photos supplémentaires sur demande. Envoi rapide et soigné dans le monde entier. * J J Johnson (1924-2001) translated the fast, linear style of bebop to the trombone in the late 1940's. ''He was the definitive trombonist of the bebop generation,'' said the saxophonist Jimmy Heath, who played with him in the early 1950's and remained a close friend. ''He didn't use the trombone as it was usually played, with the slide being the important part; he could speak the language of bebop with such clarity and precision. And everybody wanted to play trombone like that afterward.'' Mr. Johnson, born James Louis Johnson, started his music studies on the piano. He began listening to jazz in his early teenage years and switched to trombone in high school. In 1941, instead of going to college, he left Indianapolis to travel with the midwestern bands led by Snookum Russell and Clarence Love. Most of his influences, he told the writer Ira Gitler in ''The Masters of Bebop: A Listener's Guide'' (Da Capo Press), were not trombonists but trumpeters and saxophonists like Lester Young, Roy Eldridge, Dizzy Gillespie and Charlie Parker. In transferring bebop to the trombone, he used a clean, dry tone and short notes. He was often wrongly assumed to be playing the valve trombone, which allows easier articulation than the slide trombone. He did acknowledge the influence of Fred Beckett, a trombonist who played with Harlan Leonard and Lionel Hampton in the 1930's and 40's. Leonard, Mr. Johnson once explained, ''was the first trombonist I ever heard play in a manner other than the usual sliding, slurring, lip-trilling or gutbucket style.'' New York Times, Feb. 6, 2001 **Kai Winding (1922-1983) was one of the first stars of Stan Kenton's band in the mid 1940's. Then, in the 1950's, he developed a distinct and melodic twotrombone sound when he teamed with J.J. Johnson in the ''Jay and Kai'' duo. Mr. Winding, whose middle name was Chresten, was born in Aarhus, Denmark, on May 18, 1922, and came to New York with his family when he was 12 years old. He began playing the trombone while attending Stuyvesant High School and was chiefly self-taught.  He polished his style in jazz sessions in the late 1930's and early 1940's during the birth of be-bop, and played professionally with Shorty Allen and Sonny Dunham before joining the Coast Guard in 1942. After three years of service, Mr. Winding went with the Benny Goodman band in 1945 and made his first jazz recording under his own name that year, ''Kai's Kats.''  In 1946, Mr. Winding joined Stan Kenton's band as the trombone lead. After the band broke up, he joined the Charlie Ventura combo before heading small groups playing at such Manhattan clubs as the Royal Roost and Bob City.Mr. Winding and Mr. Johnson formed their duo in 1954 and toured for two years. After the team broke up, Mr. Winding formed a septet featuring four trombones and a rhythm section in 1956. During the 1960's and 1970's Mr. Winding recorded, toured and appeared at various jazz festivals. At the 1982 Aurex Jazz Festival in Japan, he was reunited with Mr. Johnson for the first time since a brief tour in 1958.  Mr. Winding was featured at the 1982 Kool Jazz Festival in one of his last appearances in New York. He is survived by his wife, Eleanor; two daughters, Michele Winding of Manhattan and Beverly Winding of Los Angeles; two sons, Kai Winding Jr. of Miami and Jai Winding of Los Angeles, and three stepchildren. New York Times, May 8, 1983 ***Bengt H. Malmqvist (1928-2008), began taking pictures of family and friends when he was only 13 years old, but his teen years were really marked by another interest: jazz music. However, Bengt never developed into the jazz guitarist he dreamed of becoming – he had to express himself through the camera instead. In the mid-1940s he enrolled at a photographer’s school in Stockholm. After two years at the school he was employed at a picture agency. During evenings and nights he took jazz pictures at the jazz clubs in Stockholm, just because he thought it was fun. At some point he submitted a number of his pictures to the jazz magazine Orkester Journalen, which published them. He was also employed regularly by the British weekly Melody Maker. After many decades in the service of the camera, Bengt H. Malmqvist left us in 2008. The last years he was primarily engaged in maintaining his unique picture archive of jazz artists from the 1950s and 1960s.
(Source : discogs.com)
  • Couleur: Noir et blanc
  • Format (cm): 30,5 x 35
  • Sous-thème: Jazz
  • Sous-type: Gélatino-bromure d'argent
  • Style: 1950-1960
  • Authenticité: Tirage original
  • Période: De 1940 à 1990
  • Origine: Suède
  • Photographe: Bengt H. Malmqvist
  • Tamponné: Oui
  • Type: Tirage argentique
  • Quantité unitaire: 1
  • Nombre de pièces: 1
  • Thème: Portrait, Personnage
  • Jazzmen: J J Johnson, Kay Winding

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